Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is effortlessly upright, his arms defined beneath a simple tee. On stage, dancers can seem as powerful gods, yet often offstage they are small. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and pas de deux work. Possessing delicate traits and intense eyes, there's a touch of a brooding actor about him.
A Seamless Rise to the Top
Now 31, Ball is enjoying the peak of a career that has progressed smoothly. Raised in Liverpool, he encountered little ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he moved directly into the company and was advanced annually, attaining the top rank of principal in 2018. He has loved taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's works.
"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming featured appearance is as himself, in an "Evening With" series designed to offer behind-the-scenes insights into a dancer's art. He will walk the crowd through a part, demonstrating his mental workflow during execution. Yet in more comedic ballets, the test is profound. "Don Quixote is one of the toughest technically," he states.
The Psychological Game and Post-Performance Feelings
How does he feel after a performance, when he has succeeded? "It feels pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get lost in the role, frequently I do feel self-conscious afterwards. After an intense role I'm always thinking: God, what must people think?"
In person, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for good change."
Formative Motivations and Artistic Influences
His determination stemmed from early setbacks. Not excelling in contests at school made him "vengeful!" This became motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.
An upcoming challenge is making his own dance works. For Ball, "organic movement has value." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, music, and painting.
Close-Up Dance and Private Partnership
He additionally favors presenting dance in more intimate spaces. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"
Ball has created pieces with his partner, fellow principal Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t typically paired on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite supporter."
Regarding Instagram and Bodily Perception
On Instagram, followers can see clips from his projects and photos that highlight a athletic form. Does he care that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on multiple ways.
Ball describes his younger self as "eager for success." Has it met his expectations? "I am conscious of how reality is a different reality to the dreams you made as a young person," he reflects. He likely has about ten years of performing left. "I guess in the future, I want to be a bit more kind with myself."